e-book London Textile Designs of 1800

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Aims and Visions The Aim of the Textile, Fabric and Textures Design Award is to attract the attention of design media, magazines, and industry leads to your business by means of creating publicity and dissemination and also to separate you from the rest of the actors in the recreation equipment sector by honoring your institution with a prestigious award.

Benefits Learn more about the winners' benefits here. To learn more about winners' services here.

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And check the contents of the winners pack here. View previous period winners here. Submission Requirements:. High-Resolution clear shot or rendering, showing the work in a preferably white background, a macro shot.


Victoria and Albert Museum

A Shot or rendering of the work with a composition of the same work showing different material, color or configuration options. A Shot or rendering showing a detailed view of the product or focusing on a unique feature, explosion, layered or sectional views if required. Showing the work in a setting where the design is utilized such as an interior space or outdoors.

An action shot, where a user interacts with the design in the designated site where the product would be used.

V&A · William Morris and wallpaper design

We manage 18 museums across Hampshire, and advise many more. We are the lead museum for the South East hub. We have a large dress and textiles collection, held centrally in Winchester, displays across the county, and have a team of staff and volunteers available to show groups and individuals items in store. Highlights include women's wear from the s, a complete set of Forbes Watson's Textiles Manufactures of India and a collection of Horrockses Fashions dresses.

Reading Museum Service aims to be a centre of excellence in providing opportunities for life-long learning through real objects and original documents. It includes one of the world's largest collections of historic trade union and political banners and is the UK's leading authority on the conservation and study of banners. Banners and other items from our textile collection relating to the theme of the museum are on display throughout the galleries.

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The Quilt Museum and Gallery is Britain's first museum dedicated to quiltmaking and textile arts. Trowbridge Museum and Art Gallery tells the story of the once dominant, but now vanished West of England woollen cloth industry. It holds an extensive collection about the woollen cloth industry.

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  • ULITA is an archive of international textiles that collects preserves and documents textiles and other related design material from most of the major textile producing areas of the world. Collection of over 5, textiles spanning 2, years on display in the galleries.

    BA Textile Design Stories

    Sample online some of the best textiles for historical research and reference. Use the Access to Images database to find images and information about textiles and dress in the collection. Lyon, which had previously been an important trade center for merchants importing Italian textiles, emerged as the center of the reorganized industry, and subsequently overtook Tours as the largest French producer of luxurious silk textiles.

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    Silk weaving in Lyon was supported by other subsidiary crafts such as spinning, dyeing, and the printing of special paper for textile design drawings, in addition to the presence of merchants who supplied materials and sold the finished products. It has been estimated that more than one-third of the population of Lyon, almost 15, workers, was involved in the silk industry either directly or indirectly by the late eighteenth century.

    The revocation of the Edict of Nantes in encouraged large numbers of Huguenot French Protestant artisans to relocate from France to England, the Netherlands, and Germany. The area of Spitalfields, east of London, was one of the main beneficiaries of this influx and subsequently became known for its fine dress silks. In the mid-eighteenth century, English silk designers distinguished their work from the prevailing French taste for generalized floral types It is during the early eighteenth century that the identities of individual silk designers become known.

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    One designer, an Englishwoman named Anna Maria Garthwaite — is notable for the fact that a large collection of her designs have survived, and silks woven to these designs have been identified C. Technical innovations to the loom occurred throughout the eighteenth century as weavers tried to speed up the process of loom preparation and weaving.

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    Philippe de Lasalle — , a designer, weaver, and entrepreneur working in Lyon, invented a removable version of a device called a semple. The semple was a key part of the mechanism that controlled the pattern woven on an individual loom. The removable semple also facilitated the weaving of the larger designs intended as wall coverings, for which Lasalle was known He was honored by the French government for this invention in , and it was one of many improvements that paved the way for the development of the so-called Jacquard loom in This loom, which came into general use in the early nineteenth century, could be programmed to weave even more complex patterned textiles without the aid of a second worker.